derangedrhythms:

absolute reality, but clustered with ghosts

Sylvia Plath, The Unabridged Journals of Sylvia Plath c. August 1957

paolo-streito-1264:

Nina Leen. New York City, 1949.

gacougnol:

Lola Alvarez Bravo
The Dream, Isabel Villasenor
Tenacatita, Jalisco
1941

theloverstomb:

“One of the main reasons for ghosts wearing white was to do with the colour of grave wool — this was when the Burial in Woollens Acts began to come into effect decreeing that English wool must be used for shrouds. Grose noted that white-clad apparitions were ‘chiefly the churchyard Ghosts’, and Defoe, in An Essay on the History and Reality of Apparitions, described the archetypal ghost of the era as ‘dress’d up … in a Shrowd, as if it just came out of the Coffin and the Church-yard’.”

Susan Owens The Ghost: A Cultural History

#ohh  #to read  

theloverstomb:

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Select photographs from the series ‘Flowers for your Grave’ by Dara Cuervo

1. The missed flight

2. The mirrored heart

3. Autopsy

4. Requiem

5. The double

theloverstomb:

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Girl with Kerosene Lamp, North Carolina, 1968

by Arthur Tress

theloverstomb:

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Three dolls, 1961

by Ralph Eugene Meatyard

theloverstomb:

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Boy with dolls and mirrors, ca. 1961

by Ralph Eugene Meatyard

theloverstomb:

“As a child, the American writer Edith Wharton was subject to such a visceral horror of ghosts that she could not bear to sleep in a room that contained a book of ghost stories. Her aversion continued into her twenties, and even books kept in other rooms would have to be put on the fire to ensure her peace of mind.”

Susan Owens The Ghost: A Cultural Hisory

#ohhh  #to read  

errorschacha:

Why don’t we just get rid of unnecessary regulatory bodies full of so-called “experts” in particular fields? Federal judges are perfectly capable of deciding, for example, what medications and forms of radioactive pollution should be legal. They have been to law school.

theloverstomb:

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Untitled (hand in doorway), 1961

by Ralph Eugene Meatyard

lionfloss:

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By Samantha Cavet

lunasabatica:

Aron Wiesenfeld: The Grove, 2012.

theloverstomb:

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by photographer Ralph Eugene Meatyard

© EVILQUEENED